Tuesday, December 08, 2020

Mister Lord

Back when I was much smaller and younger, I read my brother's hand-me-down copies of Star Wars Weekly.


As was common for UK comics of the time, Star Wars Weekly was a sort of anthology; alongside the reprints of the US Star Wars comic, there were one or two other comics dragged from the Marvel archive, which were supposed to have a space theme to tie in with the main event, but somehow we ended up with Deathlok fighting Man-Wolf in New York, so I don't know what to tell you.

I remember enjoying Chris Claremont and John Byrne's Star-Lord the most out of all the back-up comics, but because there were gaps in our collection, I never got to see what this was about:


In 2014 Marvel published a collection of the early Star-Lord stories to tie in with the first Guardians of the Galaxy film, and I picked up a copy so I could see how the story ended. I also got to see how the story began and, crikey, his origin is bonkers.

Within a couple of pages, Peter Quill's dad works out that he is not in fact Peter Quill's dad, so takes the infant outside to chop him up with a wood axe. Before he can do so, Quill Senior dies of a heart attack!


A few years later, Peter's mum is killed by aliens, so Peter decides to become a space racist.


So that's a bit different to the film then.

Peter decides to become an astronaut so he can go up into space and kill aliens, and turns out to be quite good at astronautery, but everyone at NASA thinks he's a bit intense and weird so he always gets passed over for the top jobs. A distraught Peter goes home and gets drunk with his pet owl.


After a few more twists and turns, throughout which Peter remains a complete douchecanoe, a space wizard turns up at NASA and tells them that he is going to turn one lucky astronaut into Star-Lord. Of course Peter is overlooked once again so what does he do?

He goes on a shooting spree around NASA HQ.


Of course.

Standard Marvel hero behaviour. If you're the Punisher.

After shooting all his colleagues and friends, Peter is transported to the space wizard's grotto, where he is given the Star-Lord costume and then gets to go and kill the aliens that killed his mum, except it turns out to be an illusion created by the space wizard so that Quill can get the revenge out of his system or something. Then Peter and the space wizard go for a walk in the woods and that's your lot.

As origin stories go it is, to say the least, a bit odd. The alleged hero is a complete sociopath almost from the beginning and you keep expecting it to turn around at some point, like Spider-Man's origin, perhaps, except no. Instead it gets worse and worse until the protagonist becomes a spree killer. Okay then.

Quill's origin has since been multiple-retconned into a big continuity nonsense spaghetti but Marvel was already ignoring it by the character's second appearance, which says a lot. Star-Lord is still portrayed as a little eccentric and weird in later stories, but the specific murders and racism are skipped over. He's played more as an adventurer troubled by mistakes made in his past and less of a psychopath with a ray gun.

I can see why they decided not to use this version of the character for the films, as Peter Quill, Space Racist isn't going to sell many tickets for Disney on Ice. I am a bit baffled that Marvel published it in the first place, but I suppose it was the 70's.

The owl, alas, is not seen again. I feel that's a missed opportunity.

BONUS FASHION FEATURE!

Here's what Marvel-NASA is wearing in 1990:


All the coolest astrophysicists wear capes.

4 comments:

  1. In the future, when all superheroes are owned by one megacorporation, Geoff Johns' final work will be an elaborate tale of how Al was planted by the Court of Owls to watch over Peter Quill in his development as a hero. (Probably all tied into the Harley Quinn and Star-Lord movie we'll all be waiting for.)

    Thank you for this background, btw...great stuff!

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  2. I picked up that same collection a few years back. I'd forgotten just how much of a loon they make Quill in his first appearances. I do recall that once Claremont starts writing him, his sentient ship is able to become a woman, who is naturally desperately in love with Quill.

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