Marvel 1991: Incredible Hulk #377

Bruce Banner undergoes therapy with Doc Samson and the Ringmaster -- that was a surprise -- and examines his past trauma in an effort to understand the rage within that manifests as the Hulk. The process works, sort of, but Banner is not cured. Instead, a new incarnation of the Hulk emerges.

This issue markes the first appearance of the so-called Professor Hulk, a version of the character that combines Banner's intellect with the Hulk's raw power, in a best of both worlds situation*. Although I only know that from outside knowledge; based on this issue alone it's not clear what this new Hulk is all about, and artist Dale Keown makes him look quite sinister on the final page. I've been spoiled by my knowledge of this run of stories -- more on that in a bit -- but I imagine it would have been a cracker of a cliffhanger at the time.

(By the way, it's quite by chance that I picked the first appearance of the character. Well, sort of. I chose this comic, rather than use my random method, but I based my pick on the cover and had no idea the comic was "important". I didn't even notice the "new" in the title until afterwards.)

Through my involvement in comics fandom and my brief dabbling with comics journalism in the first decade of the 2000s I had somehow absorbed the idea that Peter David's run on Incredible Hulk was considered definitive, up there with Frank Miller's Daredevil or Walt Simonson's Thor, but I never read an issue. This was in the dark days before Comixology, when you actually had to find physical back issues and collected editions were things the publishers tried to put out when they remembered. My only experience of David's writing at the time was a bonkers Star Trek novel about Guinan's sister fighting the Borg which, while entertaining, wasn't sending me to scour back issue bins to find his comics.

I can't judge the entirety of David's 12 years (!) on the comic by this one issue, of course, but I can say that this one issue is pretty good. The idea of Banner sitting down and talking things through with a therapist may seem a bit twee, maybe even obvious, but back in 1991 it was probably an innovative approach to the character. The important thing is that 30 years later it still works; there's a nice logic to it, and it allows David and Keown to segue into horror as Banner faces his childhood trauma. And it's proper horror too; we see characters being burned alive, we see a literally nightmarish projection of Banner's father -- although it's also Banner himself, because dream logic -- but perhaps the most disturbing, although also most mundane in comparison to the other imagery, is that we see the killing of Banner's mother. A fantastical monster kills her, but the creature is just a stand-in for a man, and it doesn't burn or shred her with its claws, it just hurts her, and that sort of abuse is all too common. I know the Comics Code Authority had become increasingly toothless by 1991, but even so I'm surprised this comic passed.

(There are some other interesting, if sometimes odd, bits and pieces in there too. The Hulks -- there are two of them, green and grey, at this point -- think Banner's mother is beautiful but also that she reminds them of Betty, Banner's love interest. Er... that particular psychological trauma probably needs a follow-up session, lads.)

David does an excellent job of not only showing how messed up Banner is, but also how he got so messed up, or at least what triggered the damage to dominate his personality. It's good, solid character work that sits well alongside the more overt horror imagery. If David was this good for 12 years, then I've been missing out.

I'm not at all familiar with Dale Keown's work. I know him as one of the second wave of Image escapees but I don't think I've ever read one of his comics before. Here, Keown shows a clear John Byrne influence and some static storytelling in the more mundane moments, but you can see sparks of something more interesting when things go a bit more distorted and strange in the dream therapy scenes, and as mentioned, his Professor Hulk is suitably creepy.

Would I Read More of This?

Yes I would! There's an effective building up of horror, which culminates in a chilling final page, and it's got me keen to see how the cliffhanger is resolved and who this new Hulk is, even though I know already. That's pretty good writing.

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Despite the chronic lack of juicy Punisher content, I give Incredible Hulk #377 four Cables.

*Professor Hulk is more or less the Hulk that appears in Avengers: Endgame, if you're only familiar with the film versions.

Civil (Trouser) War

Why are Death's Head II and the Hulk fighting over a pair of trousers?

It's a long story.

As Nails

Now, I quite liked Ang Lee's Hulk; the ending was nonsensical, but the rest was pretty solid, and those who thought Eric Bana's performance was too restrained were missing the point. So I wasn't expecting much of the sort-of-sequel, particularly after lukewarm reviews from pretty much everywhere, only to enjoy it even more. It's not as clever as Lee's version, but I think the key thing is that it's not trying to be; the film takes the simple premise of a big green bloke smashing stuff and does it as well as possible. Not fussy, not special, just rock solid. It would have been nice to have seen the Hulk get stronger and larger during the big final fight, and I would have preferred him to do the big jumps from the cartoon and comics rather than the tiny little Spideyesque hops we got, but those are my only complaints. Not bad at all.

I was dead pleased this week to discover The Girly Comic Book v1 on my doormat. I contributed to the first issue of this anthology, ooh, about seven years ago now, and I never expected that contribution to appear again, so I was incredibly proud when editor Selina Lock got in contact to let me know that the story I drew back then would make it into the collected edition. I've had my name on the outside of a hardback comic collection before, but this is the first time my work's been included inside one. If only it were better work! But as Meg points out, whenever I'm not pleased with my current output, I can look back to see how much I've improved.

All of which is not exactly selling it, but The Girly Comic Book v1 really is a neat little collection full of great little comic stories, and it's quite eclectic too. The foreword from Mike Carey compares it to the generally excellent Flight, and I don't think he's far off. You can buy a copy for a very reasonable £15 at the Factor Fiction website.